ASSIGNMENT: OUTER SPACE (1960)

I could write a book on this heavy-handed Italian-made cliché fest. The filmmakers treated a simple space opera like it was King Lear!

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ASSASSIN OF YOUTH (1938)

ASSASSIN OF YOUTH was made by people who clearly knew nothing about pot beyond the government's lies and propaganda.

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A*P*E (1976)

Imagine a movie so inept, it makes every Ed Wood film look like “The Deer Hunter.” That would be “A*P*E,” a joint American/South Korean attempt to cash in on Dino DiLaurentiis' remake of “King Kong.”

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ANATOMY OF A PSYCHO (1961)

The title was an obvious attempt to cash in on two far better movies of the time. If you're in the mood for a juvenile-delinquent film, you'd be better off with “High School Confidential.”

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THE AMAZING TRANSPARENT MAN (1960)

It suffers from a lack of set pieces, indifferent performances, abrupt and senseless plot twists, a scientific explanation that defies belief, misogynist violence all too typical of this era, and a conclusion that makes even less sense than the rest of the film. Not to mention a title character who's invisible, not transparent.

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THE ALPHA INCIDENT (1978)

Spartan sets, uninspired acting, shoddy production values, and characters about whom one simply does not give a damn.

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THE ALLIGATOR PEOPLE (1959)

As the reptilian Paul, Richard Crane bears thick layers of clay on his face and hands (but nowhere else on his body) and speaks in a low-pitched growl that suggests a reel-to-reel tape being played at a low speed.

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THE ALIEN FACTOR (1978)

For its many flaws, “The Alien Factor” exuded a raw energy and homespun enthusiasm that captivated me. Try as I might, I simply cannot hate this film.

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ALICE IN ACIDLAND (1968)

The first 45 of this 55-minute exercise in annoyance and boredom is filmed in black and white and features non-stop sex scenes about as erotic as a Massengill ad.

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