THE DEVIL'S SLEEP (1949)

Since rock 'n' roll didn't exist yet, this anti-drug vehicle blames newspapers--with their “blaring headlines” about war and earthquakes and famine and stuff--for young people getting hooked on “bennies, goofies, and phenos.”

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DEVIL'S POSSESSED (1974)

For many years, Paul Naschy was France's #1 horror star, and with good reason. DEVIL'S POSSESSED, however, was his equivalent of Bela Lugosi starring in BRIDE OF THE MONSTER.

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THE DEVIL'S PARTNER (1961)

A shapeshifting demon messes with a small town. At no time, however, does the demon proclaim, "We all float down here!"

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THE DEVIL'S HAND (1961)

Or as I call it, "Gamba: The Hands of Fate."

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DESTROY ALL PLANETS a/k/a GAMERA VS. VIRAS (1968)

♪ Gamera is really sweet! / He is filled with turtle meat! / We all love you, Gamera! ♫

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DESTINED TO BE INGESTED (2010)

The screenwriters seemingly couldn't decide what type of movie they wanted to make, so they threw several genres together. The result is annoyingly disjointed.

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DEMENTIA 13 (1963)

Francis Ford Coppola's debut is a rushed production with a very low budget and a young director who hadn't found his voice. These elements don't have to mean a sub-par movie, but in this case they did.

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CURSE OF THE WOLF (2006)

Rarely have I seen a film that ascends—or rather, descends—to such a level of awfulness, I'm tempted to petition lawmakers to forbid its crew from ever again coming within 1,000 feet of a movie set.

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CURSE OF BIGFOOT a/k/a TEENAGERS BATTLE THE THING (1958/1975)

Somebody thought it was a good idea to pad out a 17-year-old film-club project and put it on TV. Of course, it was 1975 and drug use was pervasive. Maybe that explains it.

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CRUEL WILL (2014)

As Paul loses his grip on reality, Aron Kinser's portrayal crosses the line into self-parody. His eyes bulge, his face twitches, he grabs at himself, he gasps for breath, and he bellows at the top of his lungs.

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COSMOS: WAR OF THE PLANETS (1977)

This “2001” wannabe has a disjointed script, amateurish acting, inane-looking sets, crappy costumes with idiotic red helmets, supercomputers made of cardboard with flashing lights and robotic voices, and a dubbing job that makes the Gamera films sound professional.

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THE CORPSE VANISHES (1942)

One of the many 3rd-rate horror films that Bela Lugosi did in the 1940s, this one fully earned its place on "Mystery Science Theater 3000."

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