FRANKENSTEIN MEETS THE SPACE MONSTER (1965)

The film is composed of at least 50% military stock footage. What's left is not, despite what you may have heard, a campy delight. Indeed, this is a rather dull viewing experience.

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FRANKENSTEIN '80 (1972)

If gratuitous gore and smarmy sex are your forte, this film has plenty of both (often at the same time).

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FANGS OF THE LIVING DEAD a/k/a MALENKA (1969/1973)

It features an intense catfight between two hot female vampires. I'm guessing that's why film was made.

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THE EVIL BRAIN FROM OUTER SPACE (1965)

This hilariously stupid film was edited together from three episodes of "Supa Jaiantsu," a Japanese TV show about an extraterrestrial superhero called Starman. (Funny, he doesn't look Jewish.)

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EVIL BONG (2006)

In the right hands, EVIL BONG might have been a clever and funny send-up of cannabis culture. Unfortunately, writer/director Charles Band confused humor with profanity-laced sexism. The so-called “jokes” here make PORKY'S look feminist.

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EVIDENCE OF A HAUNTING (2010)

The film makes repeated references to "Dead Hour," when ghosts come alive in our world. Dead Hour lasts from 3:00-4:00 a.m. But in which time zone? And does Dead Hour take Daylight Savings Time into account? Hell, I've put more thought into this review than they put into their film!

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THE DUNGEON OF HARROW (1962)

An awkward, lumbering attempt at gothic horror-- filmed in that noted bastion of goth, San Antonio.

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DRACULA (THE DIRTY OLD MAN) (1969)

On a purely technical level, it's even worse than MANOS: THE HANDS OF FATE. However, I firmly believe its ineptitude was 100% intentional, that the filmmakers were trying to create a campy soft-core porn film.

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DRACULA AND HIS VAMPIRE BRIDES a/k/a THE SATANIC RITES OF DRACULA (1972)

The acting and production are good; the big problem is the script. The plot is just too damned complicated; it would've been better suited to a James Bond film.

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DISTORTION (2006)

If the action genre has its own version of Tommy Wiseau, it's Kirk Fogg, the writer, director, and star of DISTORTION, as ineptly made a thriller as “The Room” was a drama.

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DIE, SISTER, DIE! (1972/1978)

Moviegoers who paid money to see what they thought was a horror film were likely disappointed. However, I knew exactly what I was getting into. DIE, SISTER, DIE surprised me by turning out much better than I expected.

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